This blog comes from Martin Glynn, member of the Applied Criminology Group at Birmingham City University, and community activist. Martin has written a play based, partly, on some of the data he collected for his PhD thesis. This blog outlines that play.
Context
For men in both prison and the community, the model of being a father has disparate reference points, with no sense of direction for how fathering should be negotiated and managed. The on-going construction of the meaning of ‘father involvement’ in a child’s life is a core component of men’s individual agency that shapes paternal identity and behaviour.Accessing the ‘narratives of fathers’ is not simply a case of individual expression, but is more of a wider intergenerational need that can improve the role of disconnected fathers in their children’s lives. For incarcerated fathers this situation is made worse by the experience of being disconnected from their children on account of being ‘locked up’.
Desistance and Ethnodrama
During my PhD research on ‘black men’s desistance’ I identified ‘father absence’ and the inability to play an active fathering role played a significant role in hindering some black men’s trajectories towards their desistance. I also discovered the issue of ‘father absence’ as being directly linked to the desire to finding an ‘alternative family’ that increases both the involvement in gangs combined with the propensity to engage in criminal activity. So in an attempt to make some of the complexities surrounding desistance/re-entry for black men accessible to practitioners, academics, and community, I have written an ‘ethnodrama’ as a methodological tool designed to look at some of the issues raised in my research through a ‘performative lens’. An ‘ethnodrama’ consists of dramatised, significant selections of narrative collected through interviews, participant observation field notes, and journal entries. Simply put, this is ‘dramatising data’.
‘Reentry’ is based on data gathered during my doctoral research, combined with case study research on black men who had come into contact with the mental health system. Reentry is an ethnodrama that explores the barriers encountered by Mikey, an ex-prisoner re-entering the community after a long prison sentence. His conflict with an unchanged community, the family he left behind, the son he has become disconnected from, combined with the impact of his incarceration takes its toll, when Mikey’s re-entry back to the community results in him having a ‘mental breakdown’. Things deteriorate when Mikey is then admitted to a mental institution where he falls deeper into darkness.
However, by undergoing therapeutic intervention Mikey begins to reevaluate his life and explores a pathway towards his trajectory towards desistance. On leaving the mental health institution, Mikey confronts the barriers he failed to address prior to becoming institutionalised for the second time. Reentry raises pertinent questions around the on-going debates concerning ‘agency’ and ‘structure’ in relation to family, community, reentry and desistance.
Martin can be contacted at: msoulfires@yahoo.co.uk